藝術及人文學院

院長寄語​​​​​​​

在全球化商業、新興科技與多元文化社會的時代,尋求創新解決方案以滿足人類需求,從未像現時般重要。傳統上,藝術及人文科學領域主要關注藝術、文化、歷史與語言,並為應對此一挑戰提供了根本性的思維框架,展望全球化溝通與媒體創業的未來。

藝術及人文學院(FAH)為學生打造多元文化且充滿活力的學習環境,使他們能在藝術、人文與科技的交匯處自由探索,積極應對當代人所面臨的挑戰。學院設有四個核心學科領域的學位課程:媒體藝術與科技、建築及設計、歷史及遺產、語言與文化。這些學科匯聚於同一學院,為學生提供獨特跨學科學習環境,讓他們為他們提供優質的教育資源,並培養成為倫理觀念與正直品格及得到全面發展,擁有縝密、批判與創新並重的思考能力。

最重要令我們的學生學會珍視文化、多元人際互動與合作精神,令他們得以超越專業技能,成為所在領域的專家。

藝術及人文學院近期出版

  1. Afonso, F., Januário, P. G., & Almeida, P. (2025). Rebuilding the Yao Stilt Houses Through Tree Graphs Generative Method, Proceedings of the 6th International Conference on Structures and Architecture – REstructure REmaterialize REthink REuse – ICSA2025 (Published by Taylor & Francis).
  2. Caires, C.S. (2025). From Words to Icons. Advancements in Prompting Text-to-Image Models for Logo Design with Artificial Intelligence. In: Brandão, D., Martins, N., Duarte, E. (eds) Perspectives on Design and Digital Communication V. Springer Series in Design and Innovation, vol 50. Springer, Cham. https://doi.org/10.1007/978-3-031-76156-0_12 .
  3. Estadieu, G., & Ng, S. O. K. M. (2025). Immersive Storytelling: Exploring the Intersection of Spatial Audio and Live Theatre. Book of Abstracts, Multimodus’25, 2nd International Conference on Sound and Image in Art & Design, 60–61. https://multimodus.ipportalegre.pt/
  4. Barreiros Proença, S. (2024). On the Time of Streets. IN_BO. Ricerche e Progetti per Il Territorio, La Città e l’architettura, 15(7s), 4–13. https://doi.org/10.6092/ISSN.2036-1602/20415 (SCOPUS indexed journal editorial).
  5. Caires, C. S., Estadieu, G., & Olga Ng Ka Man, S. (2024). Design Thinking Methodology and Text-To-Image Artificial Intelligence: A Case Study in the Context of Furniture Design Education. In N. Martins, D. Brandão, & A. Fernandes-Marcos (Eds.), Perspectives on Design and Digital Communication IV: Research, Innovations and Best Practices (pp. 113–134). Springer Nature Switzerland. https://doi.org/10.1007/978-3-031-41770-2_7
  6. Afonso, F., Soares, N. & Pinheiro, F. (2024): Taxonomy of the Wood-framed Stilt Buildings in Coloane Macau Through a Computational Shape Grammar, Proceedings of the XXII International Study Forum WORLD HERITAGE and DWELLING ON SPACE World Heritage and Cities in Emergencies.
  7. Caldeira, W., & Simões, JM (2024). Blurring Boundaries: Generative AI and the Evolution of Realistic Representations in Intermediartes. Proceedings of the 6th International Conference on Media, Arts and Interactions. ISBN 978-989-35125-7-9
  8. De Abreu, F. M., Seck, M., Pinheiro, F. V., & Estadieu, G. (2025). Macau cultural tapestry: Unravelling a city’s visual identity through its patterns and textures—digital archive and mapping. In D. Brandão, N. Martins, & E. Duarte (Eds.), Perspectives on Design and Digital Communication V (Vol. 50, pp. 133–167). Springer Nature Switzerland. https://doi.org/10.1007/978-3-031-76156-0_7
  9. Han, Xiaoxuan. (2024). Preposições de tempo em chinês e em português. In. Zhang, J. & Grosso, M.J. (orgs.) Linguística Contrastiva: Estudos Português-Chinês. Macau: Universidade de Macau. ISBN: 978-99965-1-182-0
  10. Roberts, P. (2024). Tracing Modern Macao’s Evolving Global Role: Views from Transnational Archives. Revista de Cultura, International Edition 76 (2024), 100-115.
  11. Roberts, P. (2024). A ‘great steel arm of China thrusting its way into the African interior’: The Tanzam Railway and the PRC Experience in Africa. In Palgrave Handbook on China-Europe-Africa Relations, eds. Yichao Li, Francisco Leandro, Carlos Rodrigues, and Jorge Tavares. Singapore, Springer Nature, 2025, 337-367.  DOI: https://doi.org/10.1007/978-981-97-5640-7
  12. Simões, JM (2024). A liberdade de imprensa em língua Portuguesa em Macau, in Lusocom.net, Federação Lusófona de Ciências da Comunicação, (pp. 227-245). Anuário Internacional de Comunicação Lusófona – Lusofonias e Decolonialidade 2023/2024. CECS/Lusocom/ Sopcom, ISSN: 2255-2243

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最後更新: January 23, 2026 在 4:12 pm

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